![]() ![]() The Magnetic Timeline uses advanced metadata and Clip Connections for faster, easier editing.It is recommended you throw the clip on the timeline of your favorite NLE, change settings to HDR PQ and view on an external HDR monitor or television.Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought. ![]() Peak to the left represents faster encoding, the hills to the right, slower, higher quality encoding.ĭownload a comparison between HEVC Main 4:2:2 10 and Main10. Timeline, Final Cut Pro 10.6.1 Render settings, Apple Compressor 4.6 Activity Monitor memory pressure, Apple Compressor version 4.6 Render time, Apple Compressor version 4.6 Rendering HEVC Main10 in Compressor at Slower (higher quality) reduces memory pressure. Render settings, DaVinci Resolve Studio Invisor app showing 4:2:2 chroma subsampling Edit Page, DaVinci Resolve Studio, five stacked ProRes 4444 clips, duration ten seconds Noise reduction settings, DaVinci Resolve Studio Activity Monitor, DaVinci Resolve Studio 17.4.3 memory pressure DaVinci Resolve Studio 17.4.3 render time Activity Monitor Memory Pressure, DaVinci Resolve Studio 17.4.4 DaVinci Resolve Studio 17.4.4 render time DaVinci Resolve 17.4.4 playback speed. Support for encoding H.265 Main 10 4:2:2 on Apple silicon. #How to edit in final cut pro 10.4.2 update#Blackmagic DaVinci Resolve 17.4.4 update adds #How to edit in final cut pro 10.4.2 mac#Update : Compressor 4.6.1 adds the ability to encode files in HEVC 10 bit 4:2:2 on Mac computers with Apple silicon on macOS Monterey 12.3 or later. Therefore, the rendering speed comparisons are only valid for HEVC Main10 and although Apple has the upper hand in terms of sheer performance, DaVinci Resolve maintains its lead by offering the superior codec. So now, there are three choices: Main (8-bit), Main10 (10-bit 4:2:0) and Main 4:2:2 10. Note : We weren’t aware at the time of writing that, along with the update, there’s a separate selection for 4:2:2 subsampled 10-bit HEVC on the render page. One caveat, though: in Compressor, faster (standard quality) encoding can be a memory hog, so we recommend slower (higher quality) encoding and closing out all other applications while rendering if you’ve got a 32GB RAM machine. The five stacked ProRes 4444 clips with noise reduction played back in real time in Final Cut Pro while in Resolve, the timeline came to a complete standstill. Encoding at higher quality increased that time to just 1:59. to render in DaVinci Resolve Studio 17.4.4 took a mere 32 seconds to complete in Apple Compressor. Pretty impressive, right? It is until you consider that the same clip that required 3 min. ![]() Our math is pretty execrable, but it appears as though the update increases efficiency by as much as 25 – 30%. Using the Option key, we created five stacked clips, after which we added a small amount of noise reduction. In order to determine exactly how much of an improvement the update brings, we imported a ProRes 4444 file and dragged it onto the timeline of Resolve. DaVinci Resolve Studio 17.4.4 brings many enhancements, chief among them being support for encoding H.265 4:2:2 Main10 on Apple Silicon, the codec used to upload HDR video to YouTube and the most demanding operation on our M1 Max MacBook Pro with 32GB RAM. ![]()
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